At the Musée Des Arts Decoratifs
The rooms
preserved for us are always
calm and empty –
no newspapers
or stained tea
cups, not even open bath salts
in Jeanne Lanvin’s
opulent salle de bain
where the toilets,
hunkered down on the perfect floor,
have leopard print
lids.
No telephone
rings, no email waits urgently
and the dimmed
lights are always on
as though the room
has readied itself for us.
We peer through
artful windows yearning
for a big bath to
drown in or
one slick corner
of parquetry
as though that’s
all we’d need.
I buy lunch
instead, expensive
salad with bresaola,
the best in Paris I’m
assured but I know
the closer to art you
get
the more it all
costs.
Out on the street
the hustle never stopped
and young women
shop the Sales
for that pair of
shoes which will magically
dance them
somewhere they can shine
blameless and
forever
held.
Catherine Bateson, June 2013
My writing challenge today was to write an ekphrastic poem, which I didn't quite do, I admit. I did see lots of beautiful things I could have written about but somehow the experience of peering into perfect rooms arranged with such finesse was my inspiration here.
Why not jump over to the Tuesday Poem hub? You'll find a fine poem on the hub - 'planchette' by James Norcliff, curated by Keith Westwater, tightly relating an experience that's in strict contrast to my own poetic musings? It's an experience that nonetheless I relate to - we have had wildlife of one kind of another in our ceiling since I moved there nine years ago. You can always tell when the rats dominate as they make quite a different sound from the possums. Curious? Go on, you know you want to read it now!
2 comments:
Yes, I've had the ekphrastic expectation before and put away a blank sheet (as it were). I like your morphed result though and thanks for the promo for James's poem
I like the observations here. Nice details to transport us to Paris and those leopard-patterned toilet seats.
Post a Comment