Showing posts with label Jennifer Compton. Show all posts
Showing posts with label Jennifer Compton. Show all posts

Monday, February 02, 2015

'Lost Property' by Jennifer Compton - Tuesday Poem



Lost Property

Somewhere in the city
I lost the knitting
the sentimental wool
I had unpicked to reknit.

The colour scheme was alarming
but that was what my mother chose
when she was still capable of crochet
so I held my peace and flew her colours. 

I had been warned of an imminent loss
the knowledge of loss had thrummed by 
so I kept checking I had everything
one hand delving in my shoulderbag.

And more than the knitting is the pillowcase
made by my husband's mother, now deceased,
she had run it up from a summery cotton frock
with two ties at the top to keep the knitting safe.

My hands know the scarf in progress intimately
I was working away at the royal blue stripe
plain and plain and plain and plain again and turn
the yarn between my fingers running like smoke.

As I rose to leave my train at Upwey Station
a thud of portent hit me – something missing -
my soft bundle pierced by two sharp needles.
And my hands, now, disconsolate as ghosts.  

 Jennifer Compton, This City, Otago University Press, 2011.



 I've posted another poem by Jennifer on the Tuesday poem hub as I'm this week's guest editor, so I won't say much here except that this poem really resonates with me. I have lost knitting on public transport but, as in this poem, it was not the knitting itself that was the real loss. 

Congratulations to Jennifer Compton on the publication of her new book,  Now You Shall Know, Five Islands Press and many thanks  for allowing me to publish this poem and 'Like A Butterfly' on the Tuesday Poem blog this week. From this hub, you can waltz from poem to poem - enjoy.

Tuesday, September 09, 2014

Tuesday Poem - a dog s life



Years ago, when the Word Tree, under Marian Spires, used to run thematic readings, I was asked to feature on the subject 'insects'. I actually misheard Marian and thought she'd said 'incest' - a subject which I thought would easily provide (bleak) inspiration. I was already thinking of Greek mythology when she repeated the theme: insects. Okay, then. Back to the drawing board. At some stage in the intervening month I remembered that glorious insect poet hero - don marquis's archy - and decided I'd bring him out of retirement. I had enormous fun writing these and remain grateful that the topic wasn't incest, which could have resulted in a miserable writing month!

you can call me archy
poet blogger email correspondent
and unfortunately cockroach in this incarnation
like my ancestor the vers libre bard
and so am i boss so am i
one day you will find my file
and think archy now what can that be
and my words will scroll onto your screen
just the creative struggles of your common
cockroach on his way to a higher transmirgration
if you read this leave more food out
a poet needs more than blu stick to keep
ectoskeleton and soul together i should take up
rap like that rat in your compost but vers libre bard
i was and that i will remain you can call me
archy again

catherine bateson - with thanks to don marquis

Do you remember archy? When you've found your copy of archy and mehitabel (what edition do you have?), take a stroll over to the Tuesday Poetry Hub where Jennifer Compton, this week's editor, has posted 'Southbank', a poem by Petra White.

Tuesday, July 16, 2013

Tuesday Poem



Cooking for One


I rediscover omelettes
and become a fan
and everything
tastes better with harissa.
Langoustines were a labour
I’d rather do for love
although I’ve kept their claws frozen
with respect for that woman in my past
who would have cooked the stock and made the bisque.

It’s true I miss my oven like a lover
linger in the cook book section
and cruise the kitchenware at BHV –
Le Crueset reduced for summer
and all those knives.

There’s barely space to chop
in the closet that is my kitchen
and no room in my bed for anyone but me.

When you come over, we’ll have to start from scratch
as though teenagers again, holding the recipe open
with a nervous, bloodied finger
while we check ingredients
and recite the method like a prayer.

 Catherine Bateson, July 2013

Head over to the Tuesday Poem blog to get  your double-serve of poems! This week the guest curated poem is by Australian poet, Robert Gray, curated by Jennifer Compton.






Tuesday, June 18, 2013

In Paris We Highlight! - Tuesday Poem



Highlights

The saleswoman in the BHV matches powder
against my skin. It is, she assures me,
goldy. Then she frowns and rouges my cheeks
because in Paris we highlight.
Highlighted and powdered I cross the Seine
to hear american poetry
and take fashion notes.
The last is unofficial but I love
how people wear their poetry –
think, the young english girl
with long plaits chose blue leggings
to wear under her purple coat and I know
that she made the felt bee on her lapel.
You can always tell the transient
americans by their high-tech joggers.
French lipstick is why everyone air kisses and the men -
crumpled linen suits exuding poetic fatigue –
take polished steps right into heartbreak hotel.
There’s one red beret, an abundance of  pre-raph blondes
and a perky cloche. I’m confident no-one else notices
but the BHV saleswoman would be on my side:
The poetry is fine, I like the one about Che,
but look at your jacket - that asymmetrical zip!
I drag her away before her fingers walk down those teeth. 
She stops to highlight two wistful blondes.
Soon she will be declaiming poetry – yes
She climbs on to a concrete column
without a wobble of her stilettos
and declaims a simple list of colours
sending them like a magicians’ doves
into the heavy night air.
In Paris we highlight!

Catherine Bateson, June 2013

After you've stopped here for some sartorial poetry, hop across to the Tuesday Poem Blog by clicking here.   Jennifer Compton and  I must have been on some strange common wavelength when we started our respective poems - although hers took a completely different turn. Have a lyrical week!